Risk Area: Ethical
Ethical and cultural sensitivities
Last updated
Ethical and cultural sensitivities
Last updated
Based on findings from the literature review and online survey conducted by the Working Group, the ethical handling of sensitive collections, particularly those related to Indigenous cultural heritage, emerged as a significant concern. Institutions emphasized the importance of culturally sensitive protocols to manage public access, ensuring respect for community ownership, self-image rights, and ethical representation within digital spaces.
“Our images of our collection appear on foreign websites who use it for their products. We also do not want our images to be used with misleading/incorrect information.”
Museum, United Kingdom
Below, you will find the key ethical risks identified, actionable strategies to mitigate these risks, tools to support the implementation of the recommended actions, and good practices to get inspired.
Ethical issues regarding culturally sensitive materials, especially Indigenous cultural heritage.
Risks of misrepresentation or disrespect to communities connected to the collections.
Curators don’t make Indigenous collections open access, because there is a risk of unethical sharing without proper decolonial protocols. This could lead to cultural exploitation and disrespect towards the communities, undermining trust and collaboration with Indigenous partners.
Institution managers don’t make certain heritage photographs open access, because of potential self-image rights violations and misuse for commercial purposes. This can harm the dignity of the individuals depicted and damage the institution’s commitment to ethical and respectful representation.
Digital collection managers don’t make certain culturally sensitive audio and video materials open access, because there’s a risk of them being exploited for commercial purposes without permission. This could disrespect the cultural heritage of the content and negatively affect the institution’s relationships with content owners and the public.
Data managers don’t make certain open datasets available without restrictions, because the information could be misused for illicit excavations or fuel conspiracy theories. This misuse can lead to cultural misinformation and damage public trust in scholarly research.
The Museums Association’s
The Museum Association's
The Archives and Records Association's
The Oral History Society's
Local Contexts - and in use
– web-based resource created in 2015 by Victor Temprano (and now a part of Native Land Digital) to draw attention to the importance of land and territories and the histories of colonization that have systematically dispossessed Indigenous peoples of their land.
– Developed by Ahmad Barclay, Majd Al-shihabi, Hanan Yazigi, Morad Taleeb, Henry Zaccak, and Bassam Barham, Palestine Open Maps is a platform that uses maps and data to retrace the transformation of human and natural geography in Palestine.
– a collaboration between the Spokane Tribe of Indians, the Confederated Tribes Of The Colville Reservation, the Confederated Tribes of the Umatilla Indian Reservation, the Coeur d'Alene Tribe of Indians, the Confederated Tribes of Warm Springs, the Confederated Tribes and Bands of the Yakama Nation, The Confederated Salish and Kootenai Tribes of the Flathead Reservation, the Nez Perce Tribe, the Center for Digital Scholarship and Curation and Native American Programs at Washington State University. The Portal aggregates cultural materials from multiple repositories that have been chosen and curated by tribal representatives.
The Clark Art Institute in Williamstown, Massachusetts issued a disapproving the reuse of Jean-Léon Gérôme’s painting “Slave Market” (1866) by the German right-wing party Alternative für Deutschland (AfD), while still enacting an Open Access policy, allowing for any reproduction of a public domain work to be downloaded high-resolution for free, as expressed in their .